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Historical Artist - Alessandro Allori (1535 - 1607)
Alessandro di Cristofano di Lorenzo del Bronzino Allori was an Italian portrait painter of the late Mannerist Florentine school. Born in Florence, in 1540, after the death of his father, he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy.
Among his collaborators was Giovanni Maria Butteri and his main pupil was Giovanni Bizzelli. Cristoforo del Altissimo, Cesare Dandini, Aurelio Lomi, John Mosnier, Giovanni Battista Vanni, and Monanni also were his pupils. Allori was one of the artists, working under Vasari, included in the decoration of the Studiolo of Francesco.
Main Works
- Christ and the Samaritan Woman
- Road to Calvary
- Dead Christ and Angels
- Portrait of Piero de Médici
- Pearl Fishing
- Sussana and the Elders
- Allegory of Human Life
- The Miracle of St. Peter Walking on Water
- Venus and Cupid
Contemporary Italian Artists
Art Galleries in Italy |